Today, we’ll take a look at how paranoid, far-right fringe political cult leader Lyndon LaRouche attempted to intimidate the musical world into redefining one of the fundamental aspects of musical physics. In some sense, LaRouche’s efforts are similar to what Scientology founder L. Ron Hubbard did when attempting to reinvent the sound recording process as part of his own aesthetic theory.
The two stories are good for a few laughs. But ultimately, the moral of the story is quite serious. First, cults behave like totalitarian states in their attempts to control artistic and creative expression. Second, these examples remind us that cults are able to get their followers to believe strange things and to engage in quixotic quests that accomplish little save stroking the egos and lining the wallets of power-mad cult leaders. Scientology is far from alone in this regard, and combining our experience in Scientology’s ability to get members to do bizarre things with what we learn about similarities between cults can help the cult awareness community to help people more generally in the future. Continue reading “Lyndon LaRouche vs. L. Ron Hubbard: Why Two Paranoid Cults Tried to Redefine Music”